
| ISSN 1357-4442 | Editor: Simon Denison |
|---|
| BOOKS |
Fields in the English Landscape
The history, development and
morphology of fields are neglected
outside academic journals, and yet they
are an essential topic for anyone with an
interest in landscape history.
Christopher Taylor's classic book -
revised for this edition by the author
himself - is one of the few books
available which treats the subject in
both the breadth and depth it deserves,
and yet which is as accessible to the
layman as to the scholar. It is a treat to
see it back in print.
The book explains the origins and
variety of field systems from small
rectangular fields created by prehistoric
farmers with various forms of `scratch'
ploughs (so-called because they were
not strong enough to turn the sod), to
the huge fields, like Bomb Crater or
Pylon Field, carved out from heathland
in Dorset during the last century using
mechanised ploughs.
The book demonstrates a rich
understanding of the ways in which
fields were used in different periods,
depending on ploughing technology and
social organisation. For example, it
discusses the transition from the
infield/outfield system of the Roman
period (where `infields' near the
settlement were intensively farmed and
`outfields' further away were cultivated
on a rotational basis, interspersed by
quite long periods of fallow) to the more
intensive farming arrangements of the
late Saxon period, as the outfield was
gradually absorbed into the infield. This
transition is related both to questions of
the form of Saxon ploughs and to the
character of post-Roman society and
economy.
Taylor's descriptions of the
characteristics of fields of each period in
the differing landscapes of upland and
lowland Britain are admirably clear.
Even a complete newcomer will be able
use this book to begin to distinguish
prehistoric from Roman fields, or late
medieval from 17th century enclosures,
from maps or from evidence on the
ground.
Also impressive are Taylor's
descriptions of an enormous variety of
evidence - like the character and
materials used in walls and hedges, as
well as the forms and patterns of
earthworks and ditches of different
periods. Medieval terraces (lynchets),
for example, are described with such
clarity that they should be both readily
identifiable and easily explained by any
welly-booted or armchair reader.
This is a classic text, and this edition
contains little that is new. This is not a
drawback or a deterrent. On the
contrary, it is beautifully and accessibly
written with excellent line drawings.
The poor reproduction of black and
white photographs is the only
detraction.
Susan Oosthuizen teaches landscape history in the Continuing Education department at
Cambridge University
Prehistoric Wales
This book has been eagerly awaited by
those aware of its gestation. It answers a
real need. The authors are experts in
their respective fields, each very active
in Welsh archaeology and each an
excellent communicator.
In the first section, Stephen
Aldhouse-Green reminds us of our
place as humans within the animal
kingdom, charting the periodic activity
of hunting, scavenging and food
gathering communities in `Wales' over
an almost unimaginably long 225,000
years. `Modern' humans were present at
Pontnewydd soon after 30,000 years
ago with settlement intermittent until
the last glacial maximum when ice
sheets 300m thick covered Wales.
Climate and its variation is important in
Wales during all periods. With the
retreat of the ice about 10,000 years
ago, temperatures rose rapidly to a
maximum exceeding that of the present
day.
In the second section, Frances Lynch
characterises the archaeology of the
first farming communities, seeing a
watershed around 2500 BC when cracks
begin to appear in the conservative,
traditional society of the earlier
Neolithic as new configurations of
power appeared. The later Neolithic
and earlier Bronze Age have a coherence
which requires they be treated together
in the third section, again by Lynch.
The final section, written jointly by
Lynch and Jeff Davies, spans the Late Bronze Age and Iron Age. A
catastrophically worsening climate is
shown to precipitate changes towards
the end of the 2nd millennium, with
new religious and ceremonial
orientations and a new visibility of
settlement, including a major emphasis
on defence.
Each section presents the evidence in
a broadly comparable framework,
beginning with a scene-setting
introduction followed by a discussion of
climate, environment, population,
settlement, communication, artefacts,
burial, ritual and society. This
arrangement is helpful in allowing
change and development to be tracked
through time. This book scores
particularly well in drawing attention to
a comprehensive range of new
information in a reasoned and
structured way.
One question, however, which will be
of interest to a Welsh readership and on
which greater guidance might have been
provided, concerns the chronology of,
and mechanism by which, a language
ancestral to modern Welsh was
introduced. We are discouraged these
days from describing the language or its
speakers as Celtic, but certain cultural
shifts in an island - such as the adoption
of a new language - would seem to
require contact with new peoples. The
movement of people is accepted as
essential to the initiation of agriculture
in the Neolithic; but the authors are
reluctant to allow that it took place in
later prehistory in the absence of clear
archaeological evidence.
The plates and figures are generally
well chosen and well reproduced. The
authors are all experienced university
lecturers and this volume will become
an essential student textbook. More
generally it is an excellent guide to
current thinking on the archaeology of
prehistoric Wales.
David Longley is the Director of the Gwynedd Archaeological Trust
The Archaeology of Natural Places
This book is mainly concerned with
distinctive votive deposits; places
embellished by rock art; production
sites; and natural places which later
became elaborated as monuments. The
study of these four topics are brought
together under the umbrella of `an
archaeology of natural places'.
The book opens with a chapter on
Saami ethnography, concluding that
sacred places are not often immediately
obvious. A discussion of the 2nd century
Greek writer Pausanias's Periegesis, which includes descriptions of sacred
places, emphasises `the significance of
natural features even at a time when
monumental architecture had assumed
a vital role'. Richard Bradley also
discusses shamanism, in which
experiences may `become associated
with particular kinds of location in the
landscape'.
In his discussion of rock art, he draws
on his work in northern Iberia and
argues the need to consider intended
audiences: `naturalistic' styles may have
been intended for an uninitiated
audience and located nearer to
settlements, while abstract styles
required `special knowledge' and tended
to be less accessible. Production sites
are addressed through a return to his
work on Cumbrian stone axe
production sites (recalling their
inaccessibility and the way that obvious
sources of raw material were ignored)
and Wessex flint mines for which he
rejects a functional interpretation,
claiming instead that the source of the
material and the danger and remoteness
of the source may have been significant.
Finally Bradley suggests that
monuments may come about through
copying or embellishment of natural
features.
In the final section, ideas so far
developed are applied to case studies.
The first, Neolithic Britain, begins with
the idea that deposits are made and
monuments intended to be experienced
in a prescribed order. Such sequences,
he argues, are often concerned with
`origins' and the place of people in the
world. Next he discusses the
relationship between rock carvings and
tombs in the Scandinavian landscape,
finally drawing these threads together
to discuss the role of natural places in
later European prehistory as a whole,
and the way in which the construction
of monuments transformed natural
places during the period from the later
Mesolithic to the emergence of state
societies.
Although there is plenty here that is
new, this book might be seen by some as
a reworking of existing material.
Certainly the sections on the origins of
monuments, Iberian Rock Art,
Cumbrian axe production and votive
deposition will be familiar ground for
those who know Bradley's work.
Disappointingly, given the title, the
book fails to acknowledge or engage
with recent theoretical debates
regarding the culture/nature
dichotomy - `nature' and `culture' are
mostly taken as a given.
The diversity of the material
discussed is both a strength and a
weakness: while it reveals the breadth of
Bradley's intellectual repertoire, it also
makes it impossible to sustain a single
narrative, so that the interpretation
sometimes seems to link a series of
fascinating examples rather than create
an `archaeology of natural places'.
That said, there is undeniable merit
in the way that Bradley successfully
builds interpretation from the
archaeological material, and in an
archaeological literature that can
sometimes seem dominated by theory-gurus and obscure philosophical schools
this is a refreshingly archaeological
book.
David Wheatley is a Lecturer at the University of Southampton
Roman Clothing and Fashion
There have been few books or articles
about Roman clothing in recent years
that have been accessible to the general
reader and this book is a welcome
addition. The book takes a
chronological look at clothing worn
throughout the Roman Empire, making
it possible to see fashion trends
changing over time. It takes evidence
from art, literary sources and textile
remains with line drawings explaining
details from sculptured reliefs and using
textile examples to explain certain
elements of style and manufacture.
It is set out in a clear logical way,
looking firstly at the basic cloths,
weaving techniques, and the use of
colour. An important point, usefully
made, is that much Roman cloth was
woven to the shape of the garment, even
clothes like the semi-circular toga, thus
negating the need for hems and making
use of the stronger selvages. It also cut
down on waste, reminding us that
clothing must have been quite valuable.
Under the headings of male and
female clothing, the book looks at
individual items of dress such as tunics,
togas, outer garments, shoes and leg
coverings, and underwear. The one
article of clothing that everyone thinks
was worn by the Roman man was the
toga, and it may come as a surprise to
learn just how few provincials would
have actually worn one. A tunic worn
with a mantle or cloak was more suited
to provincial life.
Female fashion accessories and a
detailed chronology of hairstyles for
both sexes help to build a vivid
picture of the appearance of
Roman men and women.
Children's clothing mirrored
adults', and having looked at the
main types of clothing for men,
women and children, there
follows a useful discussion of
provincial clothing. It shows
that each province was
influenced not only by Rome but
also by local cultures and even
tribal fashions from beyond the
imperial frontiers.
This book benefits from
detailed descriptions and makes
good use of the available sources.
The chapters on shoes, although
useful, need better illustrations to
help explain the differing styles.
From a practical point of view, the
book would have benefited
from the inclusion of simple
patterns, other than for the
tunic, to make it possible
for enthusiasts to recreate
some of the basic
costume styles.
Jenny Hall is a Curator at the Museum of London
Hengeworld
Mike Pitts is that rare thing, an
archaeologist who not only makes the
news - important excavations at
Stonehenge and Avebury, and related
discoveries such as this summer's
beheaded Stonehenge skeleton - but
who can also write it. Following his
debut popular book on Boxgrove
(Fairweather Eden, 1997, with Mark
Roberts), this new book looks at the
world of the Wessex henges.
Like the former book, this one has a
cast of characters - the archaeologists
who sit waiting for important telephone
calls, who sip cups of tea as they watch
geophysics results come up on screen,
who run across their sites yelling
`yippee'. It is as much about the thrill of
research and discovery as about
interpretation, and Pitts has a talent for
what journalists call colour writing - the
telling details that allow the reader to
paint a mental picture of what is going
on.
He covers not only recent digs such as
those at the Sanctuary and
Beckhampton Avenue (both Avebury),
but also major campaigns of the past
such as William Hawley's and John
Evans's at Stonehenge (1920s and 1970s),
Harold St George Gray's and Ben and
Maud Cunnington's at Avebury (1920s
and 1930s), and Geoff Wainwright's at
Durrington Walls and elsewhere
(1960s).
At its best, this book is a gem - witty,
charming, urbane, informative. In a few
passages it reaches genuine inspiration.
In a brilliant observation, the
Stonehenge Avenue is `a sort of cursus
with a mission'. Pitts's thoughts on why
people erected stone circles - based
around Richard Atkinson's
reconstructions at Stonehenge - also
ring remarkably true: `Erecting even the
smallest stone is an event . . . It attracts
attention and bequeaths stories - it
generates a buzz. It gives an anonymous
rock a unique identity. In a word, it
creates a Megalith.'
In between accounts of excavations,
he provides adept summaries of such
subjects as the efficiency of Neolithic
bows and arrows (pretty darn good),
how the bluestones got to Stonehenge
(by sea), and how archaeologists
reconstruct faces from skulls.
If the book is not perfect, it is
because in his enthusiasm for the
archaeology Pitts sometimes forgets he
is writing a popular book. Take this
humdinger: `The later Yand Z holes
(Phase 3vi) seem to respect the fallen
sarsens, suggesting the collapse may
have occurred in the time of
Hengeworld, for there is a distinct kink
in the circuit at this point, and Z8
(which should be in the vicinity of the
fallen sarsen 8) may never have been
dug.'
Another difficulty is that, to generate
pace, he quite often tells you three or
four stories at once. For example, he
starts you off at one dig. A couple of
paragraphs later you're at another dig.
Over the page you're into a completely
new subject. Then he returns you to one
or both digs 30 pages later. This can be
more than a touch confusing.
The culmination of the book is a
grand interpretation of what henges,
and in particular the Woodhenge-Stonehenge-Avenue complex, were for.
Based on construction materials,
orientation of entrances and
ethnographic parallels, this turns on the
idea that in Neolithic ceremonies wood
may have symbolised the living and
stone the dead. Pitts argues that funeral
processions may have recreated the
`journey into light' experienced when
using some psychotropic drugs or in the
near-death experience.
The interpretation is ingenious, and
fits the evidence such as it is. But I am
struck by the thought that no archaeologist in 4,000 years' time,
however perceptive, could possibly
work out Christianity with almost
nothing to go on but the ruins of St
Paul's Cathedral and Westminster
Abbey. I'd like to be convinced but
something holds me back.
Simon Denison is the Editor of British Archaeology
The Archaeology of Animal Bones
Compared to the huge numbers of
textbooks on other subjects in
archaeology, there are far too few on
palaeobiological remains. Terry
O'Connor has been actively involved
in this field for perhaps longer than he
cares to remember and has been one of
those responsible for bringing the
discipline (often kicking and
screaming) into the mainstream of
archaeological research.
His early work (on animal bone
assemblages from Lincoln and York in
particular) provided significant
advances in our understanding of
many aspects of urban economies in
the historical period and provided a
sound basis upon which others could
build. His latest book is more general
and draws upon his wealth of
experience in the field.
It provides the uninitiated with a
grounding in the variety of
methodological procedures and
problems associated with the study of
archaeological vertebrate remains. It
then guides readers through the
wealth of information such remains
can provide for understanding the
past.
He refers to a wide range of recent
and more distant studies, as well as
peppering the text with examples
from his own work. Unfortunately the
poor quality of many of the
photographs, illustrations and tables
detract from what is otherwise a well-crafted textbook.
The ideas and opinions in the book
are Terry's own and others may
disagree with some, many, or all of
them. Nonetheless, they illustrate the
fundamental problems associated with
the recovery and interpretation of
most archaeological finds assemblages.
They also highlight the exciting
potential that still exists.
Keith Dobney is an animal bones specialist at the University of Durham
Return to the British Archaeology homepage
© Council for British Archaeology and individual authors, 2000
In the field
Reviewed by Susan Oosthuizen
Christopher Taylor
Sutton £12.99
ISBN 0-7509-2490-x pb
Welsh past
Reviewed by David Longley
Frances Lynch, Stephen Aldhouse-Green and Jeffrey L Davies
Sutton £25.00
ISBN 0-7509-2165-x hb
Places for people
Reviewed by David Wheatley
Richard Bradley
Routledge £15.99
ISBN 0-415-22150-1 pb
Togas et al
Reviewed by Jenny Hall
AT Croom
Tempus £18.99
ISBN 0-7524-1469-0 hb
Henge makers
Reviewed by Simon Denison
Mike Pitts
Century £17.99
ISBN 0-7126-79545 hb
Old bones
Reviewed by Keith Dobney
Terry O'Connor
Sutton £30.00
ISBN 0-7509-2251-6 hb