This is Archaeology Lecture Series

In this talk, Dr Melanie Giles shared the latest thinking about the phenomenon of bog bodies.

In this talk, Dr Alison Sheridan looked at what was moving into, out of, and around Britain and Ireland between 4300 BC and 1500 BC, how, and why.

In this lecture, Professor Keith Lilley talked to us about landscapes and the associated field-monuments that played a vital role in mapping our nations. 

Journeys have become a huge topic in British archaeology and how we imagine our islands’ long history. In this talk, Mike Pitts looks at what happened in the past and how that affects our concepts of national identity?

This event was part of the CBA's 2022 Festival of Archaeology.  

The Made in Migration Collective is a fluid group of displaced and non-displaced individuals originally from eight different countries. Rachael Kiddey and the Made in Migration Collective will share how they use established archaeological and cultural heritage methods to co-document personal belongings and places significant to lived experiences of contemporary forced displacement in Europe. 

This event was part of the CBA's 2022 Festival of Archaeology.

Heritage activities can have social implications for communities and are as much about building growth and confidence as they are about uncovering the past. Learn more about community development with Barney Devine. 

Join Rachel Backshall and Rich Hiden of the Scottish Crannog Centre and hear the story of an organisation going through transition facing Covid pandemic-devastating fires, frogs and locusts. 

A talk by Dr Simon Elliott, archaeologist, author and CBA Trustee, on this great untold story of British history. 

Join artist Mhairi Sutherland for an exploration of the work of Erskine Childers and Mary Spring Rice.  Drawing on travels to the German East Friesian Islands, archive material and historical narratives Mhairi's work explores Irish-British cultural identities and the context and impact of Childers The Riddle of the Sands and Spring Rice's logbook written whilst aboard the Asgard in 1914. 

Delivered as part of the CBA's 2023 AGM, this year's Beatrice De Cardi lecture was presented by Dr Rose Ferraby! It explores the relationship between art and archaeology, investigates the role of art among past societies and considers how, through the stories it evokes, art can reveal new perspectives and enhance our archaeological understanding of the past.

January’s This Is Archaeology event was all about celebrating the work of early career archaeologists and their work to develop and expand our understanding of the world around us and what it means to be human using archaeological tools.  

This included 3 short talks: 

• Valuable Visuals: The Roles of Traditional and Digital Imaging in Modern Archaeology by Dr Li Sou 

• Building Ties Between Archaeology and the Public at Ilorin, Northern Yorubaland, Nigeria: A Nigerian Archaeologist's Perspective by Bolaji Josephine Owoseni 

• Lessons from the Past: What Can Archaeological Science Teach Us About the History and Future of Farming? By Ayushi Nayak

The talks were followed by a panel discussion chaired by Dr Alex Fitzpatrick.

 

Focusing on past conflicts in Northern Ireland, Paul’s presentation looked at how archaeology, memory and intangible heritage can play an important role to help underpin a more plural and democratic society.

This talk is about a new project that brings together archaeology, art and ecology. It focused on why these connections are important, and why they are of value to local communities.

In 1871 Alfred Nobel started building a dynamite factory on the Ardeer Peninsula in North Ayrshire, Scotland, for the manufacture of black powder, safety fuse, and detonators. From the 1940s onwards, munitionettes worked there and they graffitied lyrics on the walls of their workspace, of old and new songs, whilst they were cutting cordite paste. The sand mounds that surround the huts now support nesting songbirds. Alex Boyd, Iain Hamlin and Lesley McFayden are negotiating new ways in which to deal with a situation where the built environment is decaying whilst ecological habitats thrive, and yet there is the constant possibility of further development that would put all of this at risk. How do we value the human and the non-human in such a landscape? How are we creating a new kind of account of memory and place? 

Can we ever know what it was like to move in the past; to understand its meanings and complexities? Unlike many other disciplines; ones that can observe and interview the moving subject, archaeology has only the silent witness. This silence, though, is not to be misconstrued with stillness, and the evidence for past mobilities surrounds us. Focusing on mobility provides a dynamic approach to archaeology, and in this presentation, I will discuss some of the evidence for mobility within the archaeological record and explore ways in which archaeology can engage better with it. I will address what mobility can contribute to the understanding and interpretation of past landscapes and move away from archaeology’s traditional focus upon place and location.

Our lecture will explore the significance of co-producing archaeological and historical research in close partnership with communities, and consider the ways in which valuing local heritage and the collective discovery of the past has the power to create new and positive life-changing opportunities for all involved.  

To illustrate this, we will talk about the CAER Heritage Project from its humble beginnings to becoming an award-winning, flagship civic mission and development project for both Cardiff University and community development partners Action in Caerau and Ely (ACE). It is essential that we recognise that Universities are an integral part of their communities and that they have an immense responsibility to fulfil their social and civic mission. Our lecture will highlight the how power of archaeology, the power of community, and the power of co-production means that when we come together then we can harness the potential of heritage and create new pasts and new futures. 

 

How we write about the archaeological past, especially prehistory, is not something we often consider in any depth, although in an age when we are rightly concerned to demonstrate the public value of archaeology it certainly deserves our attention. Archaeology is a form of story-telling but what kind of stories could and should we be writing about the deeper past?

According to JG Ballard, science fiction was ‘the most authentic literature of the twentieth century’, which seems apt for a time both obsessed with and anxious about technological progress. At first glance, therefore, it seems like the most modernist of genres. What could it possibly have in common with prehistoric archaeology? Yet I would like to suggest there are points of contact between the different ends of the time continuum - prehistorians constructing narratives from material evidence of a distant past and sf writers imagining how future societies in galaxies far, far away might respond to particular ecologies or technologies.

In this presentation, I will try and explore the relationship between ‘world-building’ in science fiction and prehistory. I begin with that quintessential pioneer, HG Wells, who wrote not only The Time Machine and other speculative futures but also global histories and tales of the remote past. However, we need not limit ourselves to those authors who have also shown an interest in the past. Taking inspiration from Fredric Jameson’s provocatively titled Archaeologies of the Future, about the Utopian aspect of science fiction, we could ask whether, in either prehistory or sci-fi, we are doing much more than writing about ourselves.  Nevertheless, I suggest a study of the tropes, styles and settings of science
fiction can provide interesting and, hopefully, entertaining insights into how we might represent people of the past who were both like us and not like us, and why such reflections matter.
 

This event was part of the CBA's 2023 Festival of Archaeology.

In this lecture, Subha will explore the archaeological writings of Nina Frances Layard published in the East Anglian Daily Times from 1890 onward and demonstrate the ways in which Layard integrates queer approaches in her archaeological work. Throughout her life, Layard often travelled and excavated with her partner, Mary Outram and displayed gestures of queerness in her archaeological practices. In highlighting accounts of their shared experiences of excavating in various sites, Subha will also show how Layard’s writings emphasise the experiences of excavating and bring into focus the experiences of those people whose lives she excavates. These approaches are also reflected in how Layard demonstrates more intimate relations with the objects she excavated. Paying attention to the different discursive strategies Layard participated in allows us to decentre narratives of popular, imperial excavations, often led by middle class-men which dominated newspapers and periodicals from the mid-nineteenth century onwards.

This event was part of the CBA's 2023 Festival of Archaeology

The Uist Virtual Archaeology Project (UVAP) was established in 2020 as a pilot project with the aim of demonstrating the viability of place-based digital approaches to archaeological visitor interpretation in the Hebrides. The challenge was to find methods for engaging our local communities and the wider public in well-researched but hidden archaeological heritage that sits within fragile and sensitive landscapes. Further challenges were established by our desire to work with our local communities, to embed Gaelic in the research and presentation of archaeological material and to create outputs that support sustainable tourism with both economic and social benefits for our islands.

The digital approach we developed in response to these challenges combines location-triggered augmented reality visualisations of archaeological sites alongside multi-media interpretations of archaeological information. Our project outputs comprise the Uist Unearthed app, a cross-platform mobile phone app, and a travelling multi-media exhibition.

In this talk, the UVAP team will reflect on some of the challenges and opportunities associated with developing location-based augmented reality experiences for archaeological sites on the Hebridean islands of North and South Uist. We will also explain some of the thinking and decisions behind the development and use of various multi-media assets, how we agreed on digital content with project partners and stakeholders and how our digital approach evolved throughout the process. We will discuss the value of working with our local communities to coproduce material and explain why this has been so vital for creating engaging experiences that successfully connect people with Uist’s archaeological landscapes.